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The aim of the Massachusetts
Cultural Council's (MCC) Folk Arts & Heritage Program
is to identify craftspeople, performers and cultural specialists,
help sustain the practice of tradition where they live,
and increase appreciation of their artistry within the community
and beyond.
Since 1999, the MCC — with crucial support from the
National Endowment for the Arts — has been committed
to putting a vital traditional arts program into place.
We have established an ongoing regimen of documentary fieldwork;
provided direct support to individual artists through Artist
Fellowships and Traditional Arts Apprenticeships; and created
visibility for traditional artists through print media,
radio broadcasts, and bookings at regional folk festivals.
Our latest effort to bring greater visibility to Massachusetts
folk arts traditions is the Keepers
of Tradition: Art & Folk Heritage in Massachusetts
exhibition. This exhibition runs May 18, 2008 – February
9, 2009 at Lexington’s National Heritage Museum.
Fieldwork and Documentation
Under the leadership of Maggie Holtzberg, Ph.D., the MCC
has established a very strong fieldwork collection. Over
525 individuals, groups, and community organizations have
been documented. Our archival holdings now include some
5,305 color slides, 1,010 black and white film negatives,
317 color negatives, 1,500 digital images, 172 cassette
tapes, and 160 digital audio recordings.
Our fieldwork helps us connect traditional artists to resources
of which they are often unaware. And we consistently fulfill
requests for curatorial advice from artistic directors looking
for high-quality traditional performing and crafts artists.
Fieldwork also continues to play a growing role in the MCC's
arts-in-education efforts, including an ambitious teacher's
institute launched in 2006 in Springfield, "Explorations
in Puerto Rican Culture."
Direct
Support for Traditional Artists
We have two active grant programs for traditional artists
at the MCC: Artist
Fellowships and Traditional
Arts Apprenticeships. These programs offer recognition
and economic opportunity to traditional artists; preserve
and foster understanding of traditional art forms; and recognize
cultural competence and the transmission of cultural values.
Artist Fellowships
In 2001, the MCC introduced the category of traditional
artists to its Artist
Fellowships Program, offered on a biennial basis. The
review criteria for Artist Fellowships in the Traditional
Arts include artistic excellence, authenticity, and significance
of the artist’s work to the traditional community. In FY06,
grants were awarded to rhythm tap dancer Jimmy Slyde and
Cape Breton fiddler Joseph Cormier. A new set of fellowships
will be awarded in June 2008. See all the Traditional Arts
Fellows and Finalists at Gallery@MCC.
Apprenticeships
The Traditional
Arts Apprenticeship Program was introduced in 2002 and
is offered on a biennial basis. It provides a financial
incentive for master artists to identify promising apprentices
to whom they might pass on their traditional skills. Review
criteria include artistic excellence, the master’s standing
within the traditional community, significance of the art
form, quality of budget and work plan, and demonstrated
commitment to the traditional art form. In FY07, the Traditional
Arts Apprenticeships Program funded eight apprenticeships,
totaling $20,000. Art forms included South Indian Carnatic
music, Puerto Rican vejigante mask-making, Chinese guzheng
playing, Greek bouzouki making, bladesmithing, rhythm tap
dance, Bharatanatyam dance, and Irish step dance.
Since the inception of the Apprenticeship Program, more
than $65,000 has been awarded to 25 master artists.
Since 2000, we have partnered with the Institute for Community
Research and the Rhode Island State Council on the Arts
in a grant program called Southern New England Folk &
Traditional Arts Apprenticeship Program. The program offers
traditional artists the possibility of working with masters
in neighboring states. The Massachusetts artists that have
served as either masters or apprentices in 2006/2007 include
Donna Hébert (Franco-American fiddling), Angel Sanchez
(Puerto Rican vejigante mask making), Chue Yang
(Hmong needlework), and Lorraine Hammond (Yankee ballads
and rural work songs).
Internships
Folk Arts & Heritage Program interns assist with research,
documentation and support of the state's folk cultural resources.
This includes:
1. Working with the Program Manager to identify traditional
artists, ethnic and community organizations and agencies
working with traditional communities.
2. Assisting with the ongoing development of a folklife
database and entering data from folklore fieldwork. (This
includes helping to maintain an archive of field collected
materials – recorded interviews, slides/digital images/negatives,
fieldnotes and log forms – and listening to recorded interviews
to create topic indices.)
3. Assisting with the administration of the Traditional
Arts Apprenticeship Program and Traditional Artist Fellowships.
Interns should have some familiarity with the field of folklore
or the related fields of cultural anthropology, American
studies, ethnomusicology and oral history. They must have
familiarity with spreadsheets and databases. Basic knowledge
of the history and cultural make-up of Massachusetts as
well as foreign language experience (Portuguese, Chinese,
Spanish preferred) is a plus.
To see if a Folk Arts & Heritage Program internship
is currently available, search MCC job listings on hireCulture.org.
Have a Lead?
If you know about a traditional artist or folk tradition
who should be documented, please contact Maggie
Holtzberg, Folk Arts & Heritage Program Manager.
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